Tag: Deluxe Mastering

Our congrats to The Bon Scotts – the Melbourne “folk-pop” act scored a 4 star review in Rolling Stone magazine for their second album ‘We Will All Die at the Hands of CGI’ (or simply ‘WWADATHOCGI…’), mastered by Adam Dempsey and out on Popboomerang Records.

Also worth checking out is the album’s cover, designed by Circal – a modern day ‘Sgt. Pepper’s’ depicting a bunch of identities reflected of our times.

To all of our amazing mastering clients & music makers who have given us the opportunity to serve them… we look forward to rinsing and repeating in 2012. Merry Xmas and a healthy, happy, safe & prosperous 2012 to you all – from the whole team here at Deluxe Mastering.

Tony “Jack the Bear” Mantz has had a busy time putting the final lustre on projects for the Dirty Three’s latest album with bonus tracks, as well as Canadian rockers Bel Riose, Hex, hip hop outfit EMR, Secret Tsumani, Shadowgame, Deja, Ash Grundwald’s new sideline project, 46 Clicks, Garcon Garcon, James fRew, Bankrupt Billionaires, Ben Taylor, The Freakz Of The Nature, dance releases for US based Royal One Records, Planet Jumpers’ new EP, debut EP for Sunny Days, new single for ELEMENOP,  new releases for Haul Records, vinyl releases for Bunny Munroe, Bitter Sweet Kicks, and a live DVD for Engine Three Seven (mixed by Sam Hannan).

Projects mastered by Adam Dempsey include new & upcoming releases for Jimmy Dowling, Adam Eaton (both mixed by Roger Bergodaz), Pony Face (mixed by Casey Rice), Playwrite (mixed by Neil Thomason at Head Gap), Sons of Messengers, The Pirates, Taylor Project, Blue Shaddy, Tom Strode, The String Contingent, Mr Jimmy, Andy Jans-Brown (mixed by Sam Hannan), Vague Cuts (mixed by Jez Giddings at Hothouse), Nick Muir, Selwyn Cozens for CD and 12 inch vinyl, The Teskey Brothers, new mixes for British India, and this year’s NMIT songwriters’ compilation, part co-produced by Greg Arnold.

With thanks to our clients who’ve kept us busy mastering brilliant music for CD, online & vinyl releases:

Tony “Jack the Bear” Mantz has been mastering for David Cosma, Giulietta, Fort-Deez, While The City Sleeps, Impossible Odds, Roots of Redemption, Liam Burrows, Indonesian popsters Nidji, debut albums for Rich Davies & Tomcat, The Immigrants’ debut EP, an EP for Violet Town, a new album for Howl At The Moon, Thomas Keft’s mini-album, another installment in the Balance series mixed by Deetron and metal dood Stick To The Shallows, and A Sleepless Winter (produced by Confession’s Dan Brown).

Adam Dempsey’s been mastering releases including The Bon Scotts, Jackson Jackson, The Orbweavers (engineered & mixed by Casey Rice – & Triple R Album of the Week), a solo album for Danny Widdicombe (of The Wilson Pickers, mixed by Magoo), EPs for Tim Reid (mixed by Ross Calia) and Kieran Christopherson (mixed by Matt D’arcy at Basin Productions), debut release for Kodo Motif (mixed by Todd Dixon), The Broken Splendour (mixed by Tony Salter), Crooked Saint (Tim Wheatley, part engineered by Finn Keane at Hothouse & mixed by Michael Badger of The Demon Parade), Al Parkinson, singles for Butcher Blades/, CD & 10 inch vinyl for The Velocettes, vinyl masters also for Plastic Palace Alice, Trappist Afterland, Pre-Unit, plus a compilation for community arts organisation Roarhouse Melbourne.

Here’s an album Adam mastered for Danny Widdicombe (of ARIA Award-winning The Wilson Pickers)… Inspiring work in challenging times, recorded during chemotherapy treatment (literally) – it’s a GREAT album ‘Find Someone’, mixed by Magoo, and we sincerely wish Danny all the best in his recovery:

For more check out Danny’s Facebook page:
facebook.com/dannywiddicombe

Adam Dempsey celebrates five years this week at Deluxe Mastering… and it coincides with ongoing momentum for vinyl releases being as strong as ever, with at least six projects in as many weeks all destined for vinyl including: Heirs, Plastic Palace Alice, Trappist Afterland, The Velocettes, Raoul McLay, and Pre Unit.

Vinyl LP & EP releases are obviously suiting a dedicated market and for promo purposes.

How to optimize results for your vinyl release and minimize any technical headaches/delays?

Basically for a little extra outlay at a mastering session for CD or digital release you can also leave with full res 24 bit Side A & B files, tweaked as needed (a separate pass), suitable for sending to lacquer cutting – sonically this can be much better than merely sending off a CD or 16 bit files and hoping for the best! See our vinyl page for more info.

Of course we can also give you 24 bit full res CD mastered files – a great insurance for future formats and for current FLAC (lossless) options (Bandcamp, etc).

Meanwhile Jack’s been working on the first of several upcoming podcasts with audio engineer Sam Hannan and producer Steve James – more to come!

Gearing up for springtime in Australia’s music capital, Tony “Jack the Bear” Mantz has been mastering releases for The Fuzzbirds, Blind Munkee, Cave of the Swallows, Dirty Radio, Jonesez, Brackets, Thrall, Larry K (mixed by James Frew), Bitter Sweet Kicks, The Irresponsibles, Radio Ink, Rainshadow, Burgworth, The Sunny Days, The Hired Guns, new Jessica Mauboy single (remixed by US producer Rac), a live album for Autumn Gray (Canada) complete with 40 piece symphony orchestra and mixed by Jimi Maroudas, and new album for Jeff lang including a bonus disc of live tracks and rarities.

Projects mastered by Adam Dempsey include Fish Boast of Fishing (Peter Knight, recorded by Robin Gray at Allan Eaton studio and mixed by Myles Mumford), Vague Cuts (mixed by Jez Giddings at Hothouse), Lanrae, The Audient, Zac Brennan, singles for The Fearless Vampire Killers, Butcher Blades/, Pony Face, debut EP for Broadway Sounds, the latest Going Down Swinging compilation, and a new single for both CD and 10 inch vinyl for Heirs (mixed by Neil Thomason at Head Gap).

The team also sends props to Sloth for re-capping the PSU’s for the mastering-modded Chandler LTD-2’s.