Kicking off 2016, and with the Deluxe Mastering facility’s 10 year anniversary coming up in April, Jack the Bear has mastered projects for Eat The Damn Orange, HeadtorcH, Daniel Kirkland, Speedracer, Cog, Disco Is Dead, From Oslo, and Freeza Push Start Battle of the Bands winner The Bean Project.
Adam Dempsey has been flat out mastering singles for Dear Plastic, Baby Blue, Burrowing (Norway), Eilish Gilligan, Tetrahedra, and Demi Louise (entering the AMRAP regional airplay charts Top 10), remixes by Yeo for Emma Louise, and Jack Stirling, EP’s for Hoodlem (see below), LN3WLF, and Tanzer (for digital and vinyl), and albums for Daniel Champagne (recorded live in the studio by Duke David Sparks, mixed by Sam Hannan), Amistat (engineered and mixed by Matt Neighbour at Sing Sing), The Weeping Willows (engineered and mixed by Ryan Freeland in LA), a fourth album for Way Out West (mixed by Myles Mumford), Jane McArthur’s debut album of soulful tunes from various studios and engineers recorded throughout 2015, and an Elissa Goodrich contemporary jazz percussion album as part of an installation at Heide Museum of Modern Art sculpture park – the album getting great feedback from ABC Radio National, PBS, 3MBS, and Triple R (and yet again proving that natural dynamic range over “loudness” translates well to airplay).
This time around, when not mixing, Andrei Eremin has been mastering new releases for LANKS, Fortunes, Luboku, Albert Sorenson and Annie Bass.
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